A World in Action documentary filmed in Bolivia immediately after Che Guevara’s death. Directed by Brian Moser, it documents the political aftermath and centers on the trial of Régis Debray, incorporating interviews conducted before the proceedings alongside testimony from Bolivian officials, the U.S. ambassador, and U.S. special forces personnel. (Note: Produced within World in Action, the film has a distinct title, subject, and on-location production and is documented in archives and film databases as a self-contained reportage work, justifying treatment as a separate film.)

A fugitive man and woman (Kawase, Kawana) come to an island to retrieve their son (Iwasaki), who the woman has given to a foster family, but the son's foster parents are policemen (Ito)... The suspense surrounding the retrieval of the son is made unusual by the location shooting on the vast and desolate Miyakejima Island and leads to an allegorical drama about the essential desires of human beings. This was Kawase Yota's first appearance in a Zeze film, and he has since become a regular actor. The title of the film at the time of its first release was Sukebe Tenkomori.

Documentary about stunts and their recognition in the film industry. Without their selfless contribution to film, the movies we know and love, would not be nearly the same. It is the art of ACTION that allows us to experience those thrilling moments Just as that famous Director's saying goes, "Lights, Camera. - ACTION!" There is an understood, yet UNSUNG value to the last of those three necessary components in film-making. Directors, Producers, and Studio Execs all know that the work of Stunt Professionals is an effective way to motivate people into the box offices and to help captivate an audience during Award Shows. Many people do not know that Stunt Professionals do not get an Academy Award, even though they are the ones who literally risk life for their life's passion. In Praise of ACTION makes a statement why Stunt Professionals are being forgotten in the biggest film awards ceremonies? This is the right time to talk about it.

Complex, short animation film that divides the screen into eight small windows. To the music of Vivaldi's The Four Seasons and with appropriate colours, seasonal stories are told in the small frames. Every now and then, the isolated events cross their borders and the scenes start interacting.

Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.

This is the debut documentary made by Alexis Krasilovsky, author of "Women Behind The Camera" (Praeger, 1997). Shot on 16mm in 1971, the film covers much of the New York avant-garde of the time.

An original story told by Uncle Igor, a son of Russian aristocrats, and his nine year old grandson Tonda. A powerful story of complicated times around 1968, a story full of contrasts: Whether it is the relation between what Grandpa's plentiful life entails and Tonda's imminent children's presence, or between poetry and fine humor and dramatic situations of military occupation. Or generally between everyday worries of a person and the pressure of great history. On grandpa's life story, mapping a big part of the 20th century traumas, one can see how much an individual's fate depends on the movement and changes of history. And how much one can defy it and maintain inner firmness and integrity. Or perhaps just dear life.

What was going on at Bennington College in the 1980s? Matthew Tyrnauer reveals the not-so-secret history of a small (enrollment: 700) liberal arts school that nurtured a shocking amount of genius. Bret Easton Ellis (American Psycho), Donna Tartt (The Goldfinch), and Jonathan Lethem (The Fortress of Solitude) were standouts amongst many young creatives, who found plenty of inspiration and material within the messy realities of this collegiate petri dish.

During a self-taped audition for a film about the apocalypse, 15-year-old Tyler realizes that the end might not be fiction after all.